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Medieval
Costume - LTM Party
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Medieval Costume and How to Recreate It Book
Description
This unique reference classifies the clothes and accessories
of the 12th through fifteen15thth centuries along social lines. Garments
of every type, from the wardrobes of peasants and nobility, appear in
over 200 period illustrations and patterns. Helpful advice covers: choosing
fabrics, placement of seams, draping and folding garments, how to walk
and dance in voluminous attire, and methods of storage. Unabridged republication
of the classic 1931 edition. 203 black-and-white illus.
Review: Use with Caution
Dorothy Hartley's book, first published in 1931, has many good things
about it, and also many not-so-good things. The book does have a wealth
of black-and-white illustrations reproduced from period sources, and
these are outstanding. Ms. Hartley's interpretations of medieval dress,
however, are not always on the mark...page 103, for example, has a drawing
of a "sleeveless coat" which is actually a mis-interpretation
of a fur-trimmed sideless surcote. Also confusing is the "loose
side piece" in her diagram of a hunting tunic on page 57...nothing
in the period illustrations would indicate a garment cut and worn that
way, and it just doesn't make sense.
So...like a lot of other costume texts published in the
early 20th century, don't take everything in this book for gospel truth,
and double-check the details against other sources if you're looking
for true authenticity.

Medieval Costume and Fashion
Book Description
This superb panoramic study of clothing worn in
the Middle Ages will fascinate costume enthusiasts, fashion historians
and anyone intrigued by medieval life. A meticulously researched text
is enhanced with nearly 700 illustrations depicting all manner of apparel—from
fur-trimmed cloaks and brocaded robes of courtiers and the nobility
to simpler mantles, tunics and trousers worn by merchants, huntsmen,
and other commoners. Also included: hairstyles, foot-covering, jewelry,
headgear, weapons, and even advice on table manners. "Fascinating
in its detail and particularly clearly and well arranged [this book
is] a helpful and welcome means of refreshing one’s memory with long-forgotten
dates."—Saturday Review.
Review: Use With Caution
Like his "Tudor Costume and Fashion," Herbert Norris's "Medieval
Costume and Fashion" has wonderfully clear illustrations and virtually
no attribution of illustrations or facts to sources. This volume does
have the virtue of containing fewer irrelevant, discursive historical
ramblings and of being more focused. However, I would still check Mr.
Norris's assertions against Mary Houston, Stella Mary Newton, and other
period and scholarly sources before accepting them.
Review: Nice pickys
This is a book to use for the pictures when you've already done the
research into the period you are intersed in. The drawings are detailed
but the text can be vague and if you are trying to make acurate costumes
I would not rely on this book alone but it is also a handy book to have.
Review: A beginning
I too am always looking for the one book that does it for me. This was
my 1st Norris and it was hard to read, didn't have the info i needed
and did'nt sight references but it must have done something right. It
got me started researching, reading and experimenting. Norris sights
Norris. He has the expert at the time the books were written. If you
keep that in mind and love history, you can see how we got off base
and why. It is a beginning book on basic costuming history. It is repeatative
and rambling but valuable for values sake. If it's all you can afford
go for it,you will be entertained and inspired. If you need to be exact.
Go for something else
Review: Great
to look at but horribly inaccurate
This book is one of the medieval costume sources heavily influenced
by the Victorian era. Norris' redrawings are changed quite a bit from
the originals. He tends to base his thoughts off of the romanticized
Victorian view of the middle ages rather than the actual middle ages.
What he can't find from that, he just makes up. If you are looking for
the "feel" of the middle ages in a halloween costume, this
book will be fine. If you are interested in accuracy, you would be better
to spend your money elsewhere.
Review: Not Historically Accurate
Norris's book is a good place to start, but he writes with a heavy Victorian
bias, and frequently makes a lot of the details up. It's a good basic
overview, for costumes and such, but if you're looking for real, authentic,
accuratey researched information, such as for the SCA, this is not a
reliable source. Aside from accuracy, he completely ignores large sections
of Europe - Italy, Scandinavia, Spain - and focuses on England, France,
and Germany.
Review: Look elsewhere for primary documentation
Look to other sources for SCA Arts & Sciences documentation. This
book is only useful as a good first place for beginner costumers to
look for ideas. Norris doesn't list his sources and redrawings cannot
be used for costuming documentation. Save your money.

Medieval Costume in England and France: The 13th, 14th and 15th
Centuries (Paperback)
Midwest Book Review
Medieval Costumes In England And France is a carefully researched volume
offering costume aficionados and enthusiasts of the medieval period
a meticulously detailed and splendidly illustrated study of clothing
worn in the Middle Ages. Lucidly written accounts of the style and construction
of costumes worn in the 13th, 14th and 15th centuries are followed by
accurate descriptions and illustrations of royal raiment, elaborate
ecclesiastical dress and vestments, academic and legal robes, as well
as civilian dress for all classes. Mary Houston is a noted costume historian
who brings her special expertise to discussions of accessories and such
related subjects as ornaments, jewelry, armor, textiles, embroidery
and hair-dressing. The 350 black & white line illustrations are
taken from contemporary books, manuscripts, pictorial and sculptural
representations. Medieval Costumes In England And France provides superbly
documented information that is both clearly and succinctly presented
in the text. Medieval Costumes In England And France is a "must
have" reference for theatrical costume designers, members of organizations
like "The Society for Creative Anachronism", science fiction
& fantasy conventions, Madrigal performances, or even halloween
parties and costume balls!
Book Description
Carefully researched, meticulously detailed account of the style and
construction of period costumes. Includes descriptions and illustrations
of royal apparel, elaborate ecclesiastical dress and vestments, academic
and legal garments and civilian dress of all classes. Also discusses
jewelry, armor, textiles, embroidery and hairdressing.
Write an online review and share your thoughts with other customers.
Review: A must for historical writers or costumers
This book is a wonderful reference book for historical writers, SCA
people or costumers. It covers three centuries of England and France
during the Middle Ages, and has over 350 illustrations. Describes the
styles, patterns for construction of medieval dress for all classes.
also, goes into adornments such as jewelry and hairdressing. The book,
as well,covers armour and the materials of the period.
This is an absolute must for anyone wanting to know what they wore,
what it was made of, and the various evolving of styles.
Review: A great place to start
Houston's book seems to be an excellent overview of the costume of the
late medieval period. While it doesn't delve much into the actual construction
of the clothing (i.e. patterns, stitching, etc.), it's quite good at
giving a solid visual representation of the changes that occurred during
these centuries, and as such I think it's a great starting point for
study.
As other reviewers have mentioned, the illustrations in here are redrawn
from primary sources, so serious students of costuming will want to
look at the primary sources whenever possible. Most will also need to
seek out other sources to find better information on the construction
of the clothing as well. But even so, this book is so inexpensively
priced that I can't find too much to quibble about. Anyone, especially
beginners, can buy it as an introduction and then move on to more detailed
sources later.
Review: Makes me want to sew even more!!!
I use this book as a reference for all of my hopelades and Surcotes,
and several of my men's things. I love this book!!
Review: Great book for beginning researchers!
Absolutely love this book. Though it is simple, I feel it's one of the
essential clothing books if you're doing recreations. The layouts are
great, the explanations well-done, and there are easy-to-follow diagrams
for patterns. Documentation in the form of illuminated manuscripts and
rubbings from funerary monuments, etc, also are VERY helpful. Personally,
I don't make a single thing without consulting this book at least once!
Review: Useful and unusual
points of wiev, for all studies of dress
Easy to understand and with material suited for reenactors or makers
of theatrical costume, the writer shows a sincerity for research in
costume history that also makes this work suitable as a complementary
book for serious studies. Illustrated with linedrawings and diagrams
of construction. The diagrams are mostly based on conjecture and reconstruction
work, as preserwed items of clothing from this period is extremely rare.
Also shows armour and heraldry. Normally i dissaprove of illustations
that are drawn after an original instead of reproducing them, but as
the book was first printed in 1939, when photographic illustarations
was a technical and economical luxury, and the writer gives the exact
sources of the originals for the drawings, this book is an exeption
for me. Normally I'm also sceptical towards reconstructions, but the
writer is so straightforward about the fact that they are reconstructions,
and by giving not only the result but the process of reasoning that
leed to them, she gives the reader an opportunity to agre or dissagre
with her. Personaly I'm inclined to agree with her reasoning as to how
garments may have been constructed and why it looked and was done in
that way.As an example she points out that techniques to bee considered
must be wieved not from our present position but bee based on what was
done in the preceeding period. What is a reasonable change? One may
wish for a rewrite with all this sincerety and clear reasoning applied
to more recent research material but untill that has been doone this
is the book that provides many unusual and useful points of view on
the subject.
Creating a Renaissance Faire Character
So, you've visited your first Renaissance Festival and you're ready
to volunteer or audition for your local faire? Well, being a part of
a performance as large and vast as a Renaissance Faire needs some preparation.
Before you take another step, realize that being an actor
at a Renaissance Faire is more than just dressing up in costume and
playing all day. Its hard, grueling work, and takes months of preparation
to create a believable, period character.
Research
First, you should give yourself a brief schooling on the time period.
I recommend 'The
Writer's Guide to Everyday Life in Renaissance England: From 1485-1649
(Writer's Guides to Everyday Life)' as a quick primer to all aspects
of Tudor/Elizabethan life.
Secondly, visit as many faires as possible. Learn from
the actors there. Most Renaissance Faire performers are wonderful people
who'd love to share stories and experiences with you -- but not during
their performing time. Introduce yourself, and ask them if they have
a break or some free time to talk with you. Politeness will get you
everywhere.
Preparation
In preparation for your character, I recommend reading Gary Izzo's 'The
Art of Play : The New Genre of Interactive Theatre' and also 'Acting
Interactive Theatre : A Handbook'. Gary directs the Sterling Forest
Renaissance Festival cast and literally wrote the book on how its done.
These books take you from start to finish in creating your character,
and its motivation.
Accent
Now that you've gotten your character, give he or she convincing 16th
century liguistics. Check out Laura Crockett's 'Trippingly
on the Tongue' and 'Words
of Course' for the proper "Basic Faire Accent" or BFA.
Costuming
Finally, now that you've completed your research, character, and accent,
chances are you'll want to dress your character. Basic costuming for
the period is easily acheived. Refer to 'Elizabethan
Costuming (For The Years 1550 - 1580)' and 'Tudor
Costume and Fashion'.
More complex, upper class costuming requires a little
more work and skill. You'll want to refer to 'Patterns
of Fashion: The Cut and Construction of Clothes for Men and Women C1560-1620',
'Period
Costume for Stage & Screen: Patterns for Women's Dress 1500-1800',
'Tailor's
Pattern Book 1589', and 'Queen
Elizabeth's Wardrobe Unlock'd: The inventories of the Wardrobe of Robes
prepared in July 1600, edited from Stowe MS 557 in the British Library,
MS LR 2/121 in the Public Record Office, London, and MS V.b.72 in the
Folger Shakespeare Library, Washington DC'.
Simplicity, Butterick, and McCall's all offer reasonable,
but not authentic patterns for recreating tudor fashions. However, I
recommend the patterns contained in 'Patterns
for Theatrical Costumes: Garments, Trims, and Accessories from Ancient
Egypt to 1915', but have some experience before attempting these
designs.
Have Fun
Enjoy your new found hobby. Remember, Renaissance Faires are professional
performances, so if you aren't officially employed or volunteering at
a particular faire, check with the faire management before unleashing
your new character in their village. You may find such performances
are unwelcome, though with advance notice, most festivals will gladly
accomodate vetern "visiting" performers.
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Costume
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Ghost Costume
Sponge Bob
Square Pants Costume
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Costume
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Costume
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Kahuna Costume
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Costume
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